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As a Director my focus is on non traditional theatre configuration, site specific work, music and movement as storyteller, transitions, intimacy with the audience, reinventing our relationship with the audience - be that through staging or community engagement - and a deep passion for feminist themes.

I incorporate my physical theatre background into everything I do via storytelling without text, the level of mask of character -  both through the physical mask (larval, neutral, character, Commedia and clown), and metaphoric mask, and high octane physicality.

In my Movement Direction and Intimacy Design, I incorporate my training with Theatrical Intimancy Education (T.I.E) to foster a consent based physical practice.  I work in collaboration with directors and actors to create a working physical vocabulary from which to create authentic, embodied movement. 

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